Eastern Memorials Headstones, grave markers, and monuments. Manassas, Virginia.
Memorial types

Six ways a stone is set

Which of these you can use is usually decided by the cemetery, not by preference. Lawn sections often require a flush marker. Older sections often allow an upright. Before you fall in love with a shape, let us check the section. It takes us a day or two and it costs you nothing.

Upright monument

The stone most people picture. A die stands on a base at the head of the grave, readable from standing height. It suits a full plot in a traditional section and holds the most lettering of any type here.

Stone
Barre Gray, Georgia Gray, Jet Black, Mahogany, Bahama Blue.
You choose
Shape of the top, straight or serpentine. Polished, honed, or rock-pitched faces. Sandblasted or laser lettering. Engraved imagery. Single or companion width.

Flat grave marker

Set flush with the ground so mowers pass over it. Most modern lawn sections require this and permit nothing taller. It needs almost no upkeep, and it will hold grass clippings and settle slightly over the first year.

Stone
Barre Gray, Georgia Gray, Jet Black granite. Cast bronze on a granite base.
You choose
Size within the cemetery’s allowance. Flat or beveled top. Sandblasted lettering. A small engraved emblem. Vase, where permitted.

Slant marker

A wedge that sits low and angles its face up toward the reader. It is the middle option where the section will not take an upright but a flush marker feels like too little.

Stone
Barre Gray, Georgia Gray, Jet Black.
You choose
Straight or serpentine top. Polished face with a rock-pitched back. Lettering and emblem. With or without a granite base under it.

Bronze memorial

A cast bronze plate mounted on a granite base and set flush. This is the standard in memorial park sections, which frequently allow nothing else. The bronze darkens over the years, which is normal, and it can be cleaned.

Material
Cast bronze on a granite base in Barre Gray or Jet Black.
You choose
Border pattern. Raised lettering and its typeface. Emblem. A vase or a photographic insert, where the cemetery permits one.

Bench memorial

A granite bench, at the grave or in a garden section. It suits a family that visits often and wants somewhere to sit. Cemeteries are particular about these, and many allow them only in specific areas.

Stone
Barre Gray, Georgia Gray, Mahogany.
You choose
Straight or curved seat. Solid pedestal or two legs. Lettering on the seat, the front, or the back. Polished or honed top.

Companion monument

One stone for two people, usually a married couple, set at the head of a double plot. It is normally ordered when only one date is known, and the second is cut at the cemetery years later.

Stone
Barre Gray, Georgia Gray, Jet Black, Mahogany, Bahama Blue.
You choose
A shared face or a divided one. Matching vases. A single design carried across both halves. Space left for the second date, cut on site later.

Materials and options

Stone, finish, lettering

  • Barre Gray

    Fine, even grain. Takes small lettering cleanly.

  • Georgia Gray

    Warmer, more mottled. Good at larger sizes.

  • Jet Black

    Mirror polish. Highest contrast for etching.

  • Mahogany

    Red-brown, coarse flecks. Keeps its color.

  • Bahama Blue

    Blue-gray with brown through it. Shifts in sun.

Finishes
  • Polished. Mirror surface. Shows the stone at its darkest and its truest color, and gives lettering the most contrast.
  • Honed, also called steeled. Flat matte. Lighter than polished, softer in bright sun, and it hides handprints.
  • Rock pitch. A rough split edge left as the stone broke. Usually on the sides and back, against polished faces.
  • Sawn. Flat but not smoothed, from the saw. Common on the bottom, the back, and anything below grade.
Lettering
  • Sandblasted V-cut. The standard. Cut deep into the stone with a shaped bed, so it reads at a distance and in low light, and it will still read in a century.
  • Frosted. Shallower, matte, lighter than the polish around it. Used for secondary lines and small dates.
  • Laser etching. Very fine detail, on Jet Black only. Used for portraits, scenes, and handwriting.
  • Raised. Letters standing above the field, cut on granite or cast into bronze. The most work and the most expensive.
Engraved imagery
  • Line art. Sandblasted outline work. Emblems, trades, service insignia, a place, a plant.
  • Shape carving. Sandblasted at varying depth so the subject has real relief. Most effective on gray granite.
  • Laser portrait. Worked from a photograph you supply, on polished Jet Black. Send us the highest resolution copy you have.
  • Handwriting. A signature or a line in a person’s own hand, scanned and cut as it was written.
Adding to a stone already set

A second date, a name, or an added line can be cut at the cemetery without removing the memorial. We bring the equipment to the graveside. We do this most often on companion monuments after a second death.

We also clean, reset leaning stones, and repair breaks on older memorials, including ones we did not make.

What to expect

The timeline, honestly

Cemetery approval and ground conditions set the pace, not the shop. Foundations are not poured into frozen ground, so orders placed in deep winter are usually set in early spring. We give you the date we expect, and if it moves we tell you before it moves.

Many families set a temporary marker from the cemetery while the memorial is being made. Ask the office about one. It costs little and it means the grave is not unmarked in the meantime.

  1. First conversation [TIMEFRAME]
  2. Cemetery rules confirmed in writing [TIMEFRAME]
  3. Scale drawing, your review, your approval [TIMEFRAME]
  4. Cutting, shaping, and lettering [TIMEFRAME]
  5. Foundation, setting, and confirmation [TIMEFRAME]

What it costs

Price follows the stone, the size, the amount of lettering, and the cemetery’s own setting and permit fees. We put the whole figure in writing before any work begins: the memorial, the foundation, the setting, and the cemetery fees together as one number. Nothing is added to it afterward.

The photographs on this page are placeholder stock. Each one shows the kind of memorial its card describes, not a specific stone we cut.

Start a conversation

Ask about a memorial

There is no cost and no obligation. Tell us as much or as little as you know. If you do not have the cemetery name, the plot number, or the dates yet, send the form anyway and we will work it out together.

If it is easier to talk, call [PHONE] during [HOURS].

If you know it. We will contact the office for you.

We read every one of these ourselves. We will reach out within [TIMEFRAME].